If I were to make a list of which project we received the largest number of promos from, since the beginning of the magazine, I think SiJ would occupy the second place, right behind Rapoon. Seriously, this guy seems like another no-life for whom making music is everything in the world. And don’t get me wrong, I don’t think that’s a bad thing, but it makes me wonder if labels check a musician’s “creative” background, and if the number of releases per year in other labels is actually one of the conditions before the proverbial signing a deal. Personaly I don’t suppose I’d release an album by an artist with such an extensive collection of CDs, tapes or digital recordings already in his discography. Unless his sounds truly amazed me, then it would be a different story.